////// 2 0 1 8 第二季駐村聯合發表 //////
周靈芝 Julie CHOU
陶之成器，一般需要經過三個階段：土，素燒和釉燒。素燒階段得出的成品，還很脆弱，有著粉粉嫩嫩的肉色，孔隙仍大，吸水性強，保水性差，有如肉身。我以彷如肉身的素燒陶瓶，置入防空洞的地下空間，引進戶外風景，投射在素燒陶瓶上，讓肉身接受光影的洗禮，周遭地面散佈著老鼠，在這幽黯的地下洞穴中。
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◐ 肉身風景 The Landscape in the Flesh ◑
藝術家 Artist｜周靈芝 Julie CHOU
展覽地點 Venue｜防空洞 Shelter
展覽期間 Exhibition Period｜6.1 (五) - 7.29 (日)
開幕 Opening ｜6.1 (五) 16:00 @防空洞 Shelter
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#氣質藝術家 #捏陶好療育 #小小老鼠軍團 #防空洞難得開放 #錯過可惜 #禮拜五不見不散
▲The Landscape in the Flesh
● Artist／Julie CHOU
● Exhibition Date／6.1(Fri.)-7.29(Sun.) 11:00-18:00(Closed on Monday)
● Opening／6.1(Fri.) 16:00, Shelter
● Venue／Shelter
■ Artist Statement
Pottery becoming utensils has to go through 3 phases: the clay body, the bisqueware, and the glazed ware. The bisqueware is an intermediate stage, still fragile compared to the final product, with pink color, porous body, able to absorb water and not proper for containing liquid. The different shapes and characteristics of bisqueware somehow reminds me of the being of human flesh, each has its own character. I use them as symbols, placing them into the underground space of shelter, projecting the moving images of outdoor landscape on them, surrounding them with running mice on the ground, in this abandoned bomb shelter.
■ 藝術顧問短介
文／陳湘汶
已經於寶藏巖工作室中進行數個月「土的語言」工作坊的藝術家周靈芝，提供一個開放性的互動空間，邀請/等待人們的來訪，每一雙不同溫度的手揉捏著陶土，沒有任何題目和工具的規範，人人都可以自由發揮想像。而在製陶的過程中也與藝術家進行交流，藉此，藝術家也收集到了相當多的故事。
藝術家在本次發表的「肉身風景」將展出手捏老鼠形象的雕塑，擺放在幽暗的防空洞展場裡。因為老鼠曾出沒在工作室的經驗，讓藝術家決定以這個形象作為主題來發表，僅僅經過素燒而沒有上釉的陶呈現的是帶紅的顏色，不能儲水也易碎，對藝術家而言就像是肉身一般，他將這些脆弱的肉身擺放在濕暗的空間裡，像是躲藏在一個靜謐的洞穴安身。
■ Consultant's Brief Introduction
By CHEN Hsiang-Wen
Artist Julie Chou has been working on the The Language of Earth and Clay workshop in the studio of Treasure Hill Artist Village for several months, providing an open and interactive space that invites/awaits visitors. With hands molding clay without restricting themes or tools, every visitor is free to follow their imaginations and creativity. Throughout the process of creating ceramic, visitors can interact with artist, while artist benefits from the stories and tales of encounters.
Landscape in the Flesh will exhibit sculptures that depict the image of mice, placed in the dark corner of the shelter exhibition space. Based on experiences of mice appearing in her studio, the artist decided on this theme as a form of expression. The unglazed pottery has a reddish hue and is unable to store water and particularly fragile. The qualities of the clay are just like the physical body. The artist places these pieces of fragile flesh within the damp gloomy space as if hiding in a quiet cave.
◐ 肉身風景 The Landscape in the Flesh ◑
藝術家 Artist｜周靈芝 Julie CHOU
展覽地點 Venue｜防空洞 Shelter
展覽期間 Exhibition Period｜6.1 (五) - 7.29 (日)
開幕 Opening ｜6.1 (五) 16:00 @防空洞 Shelter
--
#氣質藝術家 #捏陶好療育 #小小老鼠軍團 #防空洞難得開放 #錯過可惜 #禮拜五不見不散
▲The Landscape in the Flesh
● Artist／Julie CHOU
● Exhibition Date／6.1(Fri.)-7.29(Sun.) 11:00-18:00(Closed on Monday)
● Opening／6.1(Fri.) 16:00, Shelter
● Venue／Shelter
■ Artist Statement
Pottery becoming utensils has to go through 3 phases: the clay body, the bisqueware, and the glazed ware. The bisqueware is an intermediate stage, still fragile compared to the final product, with pink color, porous body, able to absorb water and not proper for containing liquid. The different shapes and characteristics of bisqueware somehow reminds me of the being of human flesh, each has its own character. I use them as symbols, placing them into the underground space of shelter, projecting the moving images of outdoor landscape on them, surrounding them with running mice on the ground, in this abandoned bomb shelter.
■ 藝術顧問短介
文／陳湘汶
已經於寶藏巖工作室中進行數個月「土的語言」工作坊的藝術家周靈芝，提供一個開放性的互動空間，邀請/等待人們的來訪，每一雙不同溫度的手揉捏著陶土，沒有任何題目和工具的規範，人人都可以自由發揮想像。而在製陶的過程中也與藝術家進行交流，藉此，藝術家也收集到了相當多的故事。
藝術家在本次發表的「肉身風景」將展出手捏老鼠形象的雕塑，擺放在幽暗的防空洞展場裡。因為老鼠曾出沒在工作室的經驗，讓藝術家決定以這個形象作為主題來發表，僅僅經過素燒而沒有上釉的陶呈現的是帶紅的顏色，不能儲水也易碎，對藝術家而言就像是肉身一般，他將這些脆弱的肉身擺放在濕暗的空間裡，像是躲藏在一個靜謐的洞穴安身。
■ Consultant's Brief Introduction
By CHEN Hsiang-Wen
Artist Julie Chou has been working on the The Language of Earth and Clay workshop in the studio of Treasure Hill Artist Village for several months, providing an open and interactive space that invites/awaits visitors. With hands molding clay without restricting themes or tools, every visitor is free to follow their imaginations and creativity. Throughout the process of creating ceramic, visitors can interact with artist, while artist benefits from the stories and tales of encounters.
Landscape in the Flesh will exhibit sculptures that depict the image of mice, placed in the dark corner of the shelter exhibition space. Based on experiences of mice appearing in her studio, the artist decided on this theme as a form of expression. The unglazed pottery has a reddish hue and is unable to store water and particularly fragile. The qualities of the clay are just like the physical body. The artist places these pieces of fragile flesh within the damp gloomy space as if hiding in a quiet cave.
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